Imagine a bear who has no grand ambitions, loves honey a little too much and somehow turns an ordinary walk through the woods into an adventure. He isn’t trying to be extraordinary. He is simply Pooh, and perhaps, that is precisely why we have loved him for so long.
Alan Alexxander Milne aka A. A. Milne (18 Jan, 1882 – 31 Jan, 1956)
On 14 October 1926, British author A. A. Milne introduced readers to Winnie-the-Pooh, illustrated by E. H. Shepard and published by Methuen & Co. in London. In 2026, the beloved children’s book celebrates its hundredth anniversary.
A bear with a story of his own
Pooh’s origins lie in the real world. Milne’s son, Christopher Robin Milne, had a collection of stuffed animals that inspired the characters in the stories. The name Winnie came from a bear at London Zoo, while Pooh was a name associated with a swan. These familiar toys eventually became the inhabitants of the Hundred Acre Wood.
Ernest Howard Shepard (10 Dec, 1879 – 24 Mar, 1976)
But the stories owe much of their magic to Shepard’s illustrations. His delicate line drawings gave Pooh, Piglet and Eeyore their unmistakable personalities. Inspired partly by the landscape of Ashdown Forest in Sussex, the Hundred Acre Wood feels like somewhere a child might discover just beyond the garden gate.
Ernest Howard Shepard’s original illustration of Winnie-the-Pooh
The book was followed by The House at Pooh Corner in 1928. Decades later, Disney brought Pooh to new audiences through animation, helping transform Milne’s literary creation into a global cultural icon. Yet the original illustrations retain a charm of their own, that is quiet, expressive and full of room for imagination.
Why we still need the Hundred Acre Wood
Ernest Howard Shepard’s original illustration of the Hundred Acre Wood
Perhaps Pooh’s greatest achievement is not that he has entertained generations, but that he reminds us of things adulthood can make us forget.
His world isn’t built around achievement, productivity or being the most impressive person in the room. His friends are anxious, gloomy, bossy or occasionally rather silly. They misunderstand one another, get into trouble and keep coming back. Nobody needs to be perfect to belong.
There is something comforting about that.
In a world where even our hobbies can become goals and our quiet moments can feel like wasted time, Pooh invites us to slow down. To notice the trees. To spend an afternoon with a friend. To let an ordinary day be enough.
Perhaps children love Pooh because he makes the world feel larger. Adults return to him because he makes it feel gentler.
A hundred years after his first book appeared, the little bear still has something to teach us: a meaningful life need not be spectacular. Sometimes, it is made of familiar paths, imperfect friendships and small adventures.
And sometimes, all you really need is a pot of honey and someone to share the afternoon with.
There are people everywhere. So why does it sometimes feel like nobody is really there?
There is a particular kind of loneliness that happens in crowded places. It happens on a Delhi Metro when the carriage is full but nobody looks up. It happens at a party where your phone is in your hand because you don’t quite know who to talk to. It happens at the dinner table, while everyone is technically together and yet each person is somewhere else. Either, inside a screen, inside their thoughts, or inside a life that nobody else can quite enter. It happens when your Instagram is full of names but your heart cannot think of one person to call. And perhaps most painfully, it happens when someone asks, “How are you?” and you automatically say, “I’m fine,” even though what you really want is for them to ask again and wait long enough for the real answer. Surprisingly, we face it in an era where we have never had more ways to reach one another. Messages arrive instantly. Friends live inside our phones. Family groups buzz throughout the day. We can watch someone’s life unfold from another continent. We can send a photograph of our breakfast to someone who has never sat at our table. And yet, somehow, many of us still feel alone.
So perhaps the question isn’t: Why are there so few people around us? Perhaps it is: Why can so many people be around us without making us feel seen?
Loneliness is not the absence of people
John Terrence Cacioppo (June 12, 1951 – March 5, 2018)
Psychologist and neuroscientist John Cacioppo spent decades studying loneliness, and one of his most important observations was deceptively simple: loneliness is not determined by the number of people around us. You can be lonely in a marriage. You can be lonely in a family. You can be lonely in a friendship. You can even be lonely in a crowd. Cacioppo explained that what matters is not simply the quantity of interaction but the quality of connection. As he put it, “it’s feeling connected to other people that makes them feel less lonely.” That changes the way we understand loneliness. Because perhaps the person sitting alone in a café isn’t necessarily lonely. Perhaps she is reading a book, drinking coffee, watching the rain, and perfectly content in her own company. Meanwhile, the person laughing loudly at a party might be desperately lonely. The difference is not solitude. It is connection. Solitude says: I am alone, and I am with myself. Loneliness says: I am alone, and I wish someone could reach me here.
Psychological research similarly distinguishes loneliness from simply being physically alone. The American Psychological Association describes loneliness as the discomfort that arises when we perceive ourselves as socially isolated. In other words, loneliness is partly a perception of distance. And distance can exist between two people sitting three inches apart.
We don’t just want company. We want recognition. There is something deeper beneath our desire for companionship. We want to be known. Not merely noticed. Not liked. Not followed. Known.
We want someone to understand the strange little things about us: why a particular song makes us quiet, why we suddenly become anxious before something that seems insignificant, why we don’t like being asked questions in front of everyone, why we keep returning to the same street, the same book, the same memory. We want someone who knows that when we say “nothing’s wrong,” sometimes something is. This is where loneliness becomes emotional rather than merely social.
You can have hundreds of interactions in a week and still never reveal anything that feels vulnerable. You can talk all day without ever having a conversation. You can be listened to without feeling heard. You can be loved without feeling understood. And perhaps this is one of the great contradictions of modern life: we have become exceptionally good at staying in contact and strangely inexperienced at being in relationship.
The psychologist who taught us that humans need attachment
Edward John Mostyn Bowlby (26 February 1907 – 2 September 1990)
Long before smartphones, social media or dating apps, British psychologist and psychiatrist John Bowlby was studying something fundamental about human beings: our need for attachment. His attachment theory proposed, in broad terms, that human beings are biologically and emotionally oriented toward forming close bonds.
Cacioppo later connected this understanding to loneliness, noting Bowlby’s observation that being separated from one’s caretaker, particularly in childhood, could be experienced as profoundly threatening. The important idea is not that we are weak because we need other people. It is almost the opposite. Needing connection is part of being human. The fantasy of complete emotional independence is, in many ways, rather unnatural. We need people. We need witnesses to our lives. Someone to tell when we have had a terrible day. Someone to celebrate with when something unexpectedly wonderful happens. Someone who remembers the story behind the scar. Someone who notices that our voice sounds different today. Someone who can sit beside us without requiring us to perform. This is why loneliness can hurt so deeply.
It isn’t simply boredom. It can feel like being psychologically unanchored. And then society changed.
But loneliness isn’t only a psychological problem. It is also a sociological one.
Robert David Putnam (January 9, 1941) at present of age 85 years
This is where the work of sociologist Robert Putnam becomes fascinating. In Bowling Alone, Putnam examined the decline of community participation in American life as people joining fewer organisations, socialising less often, knowing their neighbours less, and participating less frequently in collective activities. His argument was not simply that people had become lonelier, it was that the social structures that once produced everyday connection were weakening. His metaphor was brilliant. People were still bowling. They were simply bowling alone. The bowling alley remained. The activity remained. But the league of the repeated gathering of people, the familiar faces, the conversations, the small rituals, it was disappearing. And that distinction matters. Because communities are not created merely by putting people in the same place. They are created through repetition. Seeing the same shopkeeper. Greeting the same neighbour. Meeting the same friends every Sunday. Going to the same library. Playing the same sport. Attending the same class. Knowing that somebody will notice if you don’t show up. These tiny repetitions create something psychologists and sociologists recognise as meaningful social connection. They make us part of something larger than ourselves.
We have replaced many of our “third places”
There used to be many places where people could simply be around one another. The neighbourhood park. The local tea shop. The library. The community centre. The place of worship. The sports ground. The college canteen. The barber shop. The corner café. These weren’t necessarily destinations. They were third places, the spaces outside home and work where ordinary social life could happen. And something important happened there. You didn’t necessarily go looking for a best friend. You simply kept encountering human beings. A conversation could begin because somebody was sitting beside you. A friendship could emerge because you saw the same person every Tuesday. A neighbour could become familiar because you happened to walk past each other every evening. Modern life, however, has made it increasingly possible to design our social lives around convenience and preference.
We can order food without speaking to anyone. Work without leaving home. Shop without entering a store. Exercise alone. Watch films alone. Listen to music alone. Travel without speaking to strangers. And consume almost any form of entertainment without another human being physically present. None of these things is inherently bad. But together, they can quietly remove the accidental encounters through which community is often built.
Putnam’s concept of social capital is useful here: social networks are valuable not simply because they make us feel warm and loved, but because trust, reciprocity and relationships create practical and collective benefits. A society can therefore have millions of connected individuals and still have weak community.
Then came the phone
And then, of course, there is the small glowing rectangle we carry everywhere. Our phones solved one problem beautifully: distance. But they may have complicated another: presence.
Sherry Turkle (June 18, 1948) at present of age 78 years
Sociologist Sherry Turkle has spent years examining the relationship between technology, conversation and intimacy.
Her TED talk ‘Connected, but alone?’ asks a question that feels increasingly relevant: as we expect more from technology, do we begin to expect less from one another? Her concern isn’t simply that people use technology. It is that technology can give us the feeling of connection without necessarily giving us the vulnerability of genuine companionship. Turkle has argued that technology can offer us an “illusion of friendship without the demands of companionship.” And that phrase deserves to sit with us. Because companionship asks things of us. It asks us to listen. To wait. To tolerate awkward silences. To hear boring stories. To stay when someone is difficult. To be inconvenienced. To put the phone down. To allow another person to be complicated. A notification asks none of these things.
We are becoming very good at being perceived
There is another strange development of the digital age. We can now be constantly seen without necessarily being known. We post what we ate. Where we travelled. What we wore. What we read. Who we celebrated. What we believe. What we accomplished. Our lives can be beautifully documented.
But documentation is not intimacy. Someone can know what you did yesterday without knowing how yesterday felt. They can know your favourite songs without knowing why you need them. They can know your relationship status without knowing whether you feel loved. They can watch your life and still have no idea what is happening inside you. This is perhaps why social media can sometimes make loneliness feel sharper rather than softer. You aren’t simply alone. You are watching everyone else appear connected.
Cacioppo observed that loneliness can heighten sensitivity to social threats and make people more focused on themselves and their perceived isolation. The lonely mind can therefore become a terrible editor. It notices the couple holding hands. The group laughing. The birthday dinner. The wedding photographs. The friend who has “their people.” And quietly asks: Where are mine?
But there is another side to the story
It would be easy to blame phones. They are convenient villains. But loneliness existed long before Instagram. People have felt lonely in marriages for centuries. People have sat at family dinners feeling misunderstood. People have moved to new cities and struggled to belong. People have felt lonely in crowded cities since cities existed.
The technology can also create real connection.
Someone studying abroad can speak to their mother every evening. A lonely teenager can find a community that doesn’t exist in their physical surroundings. A person grieving can find others who understand a loss their immediate circle cannot comprehend. A long-distance friendship can survive because of a screen. The question, therefore, isn’t: Are phones making us lonely? It is: What kinds of connection are we using technology to create and what kinds are we allowing it to replace?
Even Cacioppo’s work did not reduce technology to a simple villain. Communication technologies can facilitate connection when they are used to organise or deepen real relationships; the problem arises when apparent connection substitutes for meaningful contact. That distinction matters.
Sometimes the problem is not that nobody loves us
Sometimes the problem is that we don’t know how to let ourselves be loved. This may be the most uncomfortable part. Loneliness can coexist with an inability to become vulnerable. We might want intimacy while fearing it. We might want someone to ask what is wrong while becoming irritated when they do. We might crave closeness and then disappear when someone gets too close. We might complain that nobody understands us while never allowing anybody to see the parts of ourselves we are embarrassed by. This doesn’t mean lonely people are responsible for their loneliness. It means loneliness can become a cycle.
Cacioppo described how perceived isolation can trigger a kind of self-protective state: when people feel socially threatened, they can become more vigilant and self-focused, which can make connection harder. So the lonely person may begin wanting people desperately while simultaneously protecting themselves from them. The door is locked. And they are standing behind it, wondering why nobody comes inside.
There is a difference between attention and intimacy
Perhaps our culture has confused these two. Attention says: Look at me. Intimacy says: Know me. Attention can be measured by: Views. Likes. Replies. Followers. Messages. Intimacy cannot. You cannot count how many times someone made you feel safe. You cannot calculate the value of a friend who sat beside you when you had nothing interesting to say. You cannot measure the person who remembers your coffee order after three years. You cannot put a number on being able to walk into someone’s house without knocking. These are small things, but human beings are made from small things.
Maybe we don’t need more people
Maybe we need more belonging. There is an important difference. We live in a culture obsessed with expansion. More followers. More friends. More networking. More invitations. More contacts. More conversations. But loneliness doesn’t necessarily require a larger social circle. Sometimes it requires a deeper one. John Cacioppo repeatedly emphasised that the quality of relationships matters. Robert Putnam’s work similarly shows why networks become meaningful through trust, reciprocity and repeated interaction rather than through a mere accumulation of contacts.
Julianne Holt-Lunstad (Born 1971)
And psychologist Julianne Holt-Lunstad’s work has helped establish social connection as an important factor in health, with supportive relationships associated with better health outcomes and social isolation and loneliness linked to significant risks. So perhaps the answer isn’t: Meet more people. Perhaps it is: Let a few people become real to you.
We also need to learn how to be alone
This sounds contradictory. If loneliness comes from disconnection, shouldn’t we simply surround ourselves with people? Not necessarily. Solitude and loneliness are not opposites. Sometimes solitude is what allows us to hear ourselves clearly enough to connect with somebody else. Sherry Turkle has argued that the capacity to be alone matters precisely because without it, we can become dependent on constant external validation.
Her formulation is striking: “If we don’t teach our children how to be alone, they will always be lonely.” There is wisdom in that. If every quiet moment must be filled with a notification, video, message or voice, we never learn what our own company feels like. And someone who cannot tolerate their own company may eventually ask another person to perform an impossible job: make me feel whole. No friend can sustainably do that. No partner can. No audience can. No number of followers can. Connection should not erase the self. It should give the self somewhere safe to exist.
So what are we actually missing?
Perhaps it is not people. Perhaps it is witnessing. We want somebody to witness our lives. The ordinary parts. The embarrassing parts. The beautiful parts. The unfinished parts. The version of ourselves that isn’t ready for Instagram. We want someone who knows what our face looks like when we are trying not to cry. Someone who knows the joke behind our silence. Someone who notices when our energy changes. Someone who can sit beside us while nothing happens.
This is why the deepest relationships often don’t feel spectacular. They feel ordinary. A cup of tea. A walk. A shared meal. A message saying “Reached?” A friend remembering something you mentioned six months ago. A parent saving the last piece for you. Someone waiting outside. Someone asking again. Someone staying. Perhaps this is what we have been searching for beneath all the noise. Not more interaction. More recognition.
The loneliness paradox
Here is the strange thing: We can be surrounded by people and lonely. We can be alone and peaceful. We can have thousands of followers and no confidant. We can have one person and feel deeply held. We can live in a crowded city and feel invisible. We can sit silently beside someone and feel understood. Loneliness, then, is not a geography. It is a relationship between the inner world and the world around us. And perhaps that is why it can be so difficult to explain. Because from the outside, everything can look perfectly fine. You go to work. You answer messages. You laugh. You attend parties. You post photographs. You make plans. You come home. Nobody sees the distance. Nobody sees the quiet ache of wanting to say: “I wish someone really knew me.”
Maybe the way back begins very small
Not with becoming more popular. Not with forcing yourself into a hundred social situations. Not with collecting acquaintances. Perhaps it begins with one honest conversation. Calling someone instead of sending a reaction. Asking a friend a question and actually waiting for the answer. Sitting beside someone without reaching for your phone. Joining something you will attend every week. Learning the names of the people you repeatedly encounter. Going somewhere often enough that you become familiar. Letting yourself be a beginner. Inviting someone for tea. Saying, “I’ve been feeling lonely lately.” And perhaps, most importantly, allowing somebody else to say it too. Because loneliness becomes less frightening when it stops being a private shame.
We are not failing at being social
Perhaps we are simply living through a period in which the old structures of belonging are changing faster than we have learned to replace them. The family is changing. Work is changing. Cities are changing. Friendship is changing. Religion and community are changing. Technology has changed how we meet. Mobility has changed where we live. And the internet has changed who we can know.
Sociologists studying loneliness increasingly look beyond individual psychology toward these broader social structures, including individualisation and the weakening of communal ties. So maybe loneliness isn’t merely a personal problem waiting for a personal solution. Maybe some of it belongs to the world we have built. And if that is true, then the answer cannot only be “learn to cope.” We may also have to learn how to build community again.
Perhaps we need to stop asking, “How many people do you know?” And start asking: Who would notice if you disappeared for a week? Who can you call when something wonderful happens? Who can you sit beside without performing? Whose sadness would you recognise? Who knows the version of you that exists when nobody is watching? Those questions tell us much more about our social lives than a follower count ever could. Because the opposite of loneliness isn’t popularity. It isn’t constant conversation. It isn’t being surrounded. It is the quiet knowledge that somewhere, with someone, you belong. And perhaps in a world that has become extraordinarily good at connecting us, that is the thing we are still learning how to create. A place in another person’s life where we don’t have to introduce ourselves.
So, can we actually solve loneliness?
Maybe “solve” is too ambitious a word. Loneliness is not a mathematical problem waiting for the correct answer. It is part of being human. We will move cities. We will lose people. Friendships will change. Relationships will end. There will be seasons in which we are surrounded and seasons in which we are not. The goal, perhaps, isn’t to build a life in which we never feel lonely. It is to build a life in which loneliness doesn’t have to become our permanent address. And that begins much closer to home than we might expect. First, we have to become more comfortable with ourselves. This sounds almost too simple, but it matters. If every quiet moment feels unbearable, we will spend our lives trying to escape ourselves through people, screens, work, entertainment and noise. Solitude can become a place of return.
Read somewhere without photographing it. Walk without headphones sometimes. Eat a meal without reaching for your phone. Go to a library and sit among strangers. Write down what you are actually feeling before immediately telling somebody what you think you should be feeling. Being alone is not the same as being abandoned. Learning that difference gives us something precious: the ability to be alone without experiencing ourselves as unwanted. And perhaps that makes it easier to enter relationships not because we desperately need somebody to rescue us from ourselves, but because we genuinely want to share our lives with them.
Then, we have to become braver with other people. We complain about shallow conversations while rarely being the person who takes one deeper. Ask the second question. Stay five minutes longer. Call instead of reacting to a story. Tell someone you missed them. Ask a friend how they really are and don’t immediately interrupt with your own story. Say, “I’ve actually been having a difficult week.” Tell someone when you are proud of them. Invite someone over even if your house isn’t perfect. Let a friendship develop slowly. There is a strange expectation today that meaningful relationships should simply happen. But intimacy is usually built through repetition. Through showing up. Through remembering. Through small acts of attention. Through being willing to be slightly inconvenient for one another.
Sherry Turkle’s work on conversation is relevant here. She argues that genuine conversation requires a kind of presence that our always-connected technology can interrupt; her work is ultimately less an argument against technology than a case for reclaiming conversation as part of human life. Perhaps the most radical thing we can do, then, is very ordinary: put the phone down and stay.
And then we need to rebuild community
This is the part we often forget. Loneliness isn’t always something an individual can think their way out of. Sometimes the world around us has simply stopped giving us enough opportunities to belong.
Robert Putnam’s work on social capital showed how repeated participation in groups and communities can create networks of trust, reciprocity and connection. His famous image of people “bowling alone” captured something larger than bowling: the weakening of everyday communal life. So perhaps the answer is not another app designed to help us meet people. Perhaps it is the library. The neighbourhood park. The book club. The weekly pottery class. The football ground. The volunteering group. The community kitchen. The Sunday market. The place where the same people keep showing up. We don’t always need spectacular experiences. We need recurring ones. Because belonging is often built almost invisibly. You see the same person every Wednesday. Eventually you smile. Then you say hello. Then you learn their name. Then you ask how their week was. One day, you realise you would notice if they weren’t there. That is community. It doesn’t announce itself. It accumulates.
We also need to stop treating loneliness as a personal failure. This may be the most important change of all. Being lonely doesn’t mean you are unlikeable. It doesn’t mean you are socially defective. It doesn’t mean you failed at adulthood. And it certainly doesn’t mean that everybody else has figured life out while you somehow missed the lesson. Loneliness can happen during transitions, grief, relocation, relationship changes and periods of uncertainty. The APA’s current clinical guidance describes loneliness as an experience that can intersect with relationships, the self and major life transitions and notes that evidence supports several different forms of intervention rather than one universal solution. Sometimes, loneliness is simply information. It tells us: Something in my life needs more connection. That connection might be with another person. It might be with a community. It might be with ourselves. And sometimes, if loneliness becomes persistent or deeply distressing, it may be worth talking to a mental-health professional.
Research reviewed by the APA suggests that psychological interventions can be particularly useful, especially when loneliness is intertwined with the ways we interpret ourselves, other people and social situations. There is no shame in needing help building a bridge back to people.
Perhaps we don’t need to defeat loneliness. Perhaps we need to become better at responding to it. When loneliness says: “Nobody cares about me,” we can ask: Who could I reach out to today? When it says: “I don’t belong anywhere,” we can ask: Where could I start showing up regularly? When it says: “Nobody understands me,” we can ask: Have I allowed anyone to see me clearly enough to understand me? And when it says: “I am alone,” perhaps we can learn to answer: Yes. And I am still here. Then we make tea. We step outside. We call somebody. We go somewhere. We sit among people. We begin again. Not because loneliness disappears immediately. But because we have stopped letting it convince us that we are destined to live inside it.
Maybe that is how we solve the loneliness problem
Not by making sure nobody is ever alone, but by creating a world where being alone does not have to mean being unseen, unknown or unwanted. A world where people have places to go. People to call. Communities to return to. Conversations that aren’t rushed. Friendships that aren’t measured by frequency. Homes where someone notices when you haven’t come back yet. And perhaps, most importantly, the courage to say: “I am lonely.” And have somebody answer: “Come. Sit with me.” Because maybe the opposite of loneliness was never popularity. Maybe it was always belonging.
The ideas in this piece come from years of psychological, sociological and cultural research.
If you’d like to explore the books, studies and thinkers behind the story, subscribe to Kulsoomified and I’ll send the sources and further reading straight to your inbox.
Because sometimes one good article should lead you to ten more interesting things.
In a world where stories cross borders before passports do, there’s a place where South Asian cinema takes center stage not just as culture, but as future. The Indian Film Festival of Los Angeles (IFFLA) is back—bigger, braver, and more beautifully interconnected than ever before.
2025 marks a cosmic expansion for IFFLA Industry Days, unfolding on May 8 and 9 at the Landmark Theatres Sunset, where narratives from India, Bangladesh, Nepal, and the South Asian diaspora meet the very core of Hollywood. And it isn’t just a festival—it’s a movement.
This year’s heartbeat? IFFLA Connect—a cinematic constellation born in collaboration with Cinévesture. It’s more than a program—it’s a bridge. A handpicked bouquet of emerging and established storytellers are set to bloom on global soil. From Radhika Apte’s directorial debut Koyta to Nuhash Humayun’s bold Moving Bangladesh, the lineup whispers revolution, reels resilience, and roars representation.
“Our focus is access,” says Noopur Sinha, Festival Producer. “These ten powerful South Asian-led projects deserve the chance to not just survive, but soar in global cinema.” And with champions like Netflix, Orion Pictures, Film Independent, Neon, and Temple Hill watching closely, the world might just listen a little more intently.
But this festival doesn’t stop at showcasing. It dares to sculpt the future. The Launchpad: Pitch Competition returns, offering five dreamers the stage, a listening industry, and a chance at $10,000 in development funding. In a room full of believers, sometimes that’s all a story needs.
Panels that Matter, Questions that Echo
The Industry Days are rich with brain and soul food:
The Human Loop panel asks: “Can storytelling stay human in the age of AI?”
Global Vision challenges studios to look beyond Western borders, diving deep into how international voices are redefining cinematic futures.
And in a heartfelt nod to literature and theatre, a panel on the Life of Pi stage adaptation explores how a tale from Pondicherry now moves hearts from Broadway to LA.
Magic has a Masterclass too.
One of the most anticipated events is “From Dhaka to Hollywood”, where South Asia’s horror whisperer Nuhash Humayun dissects how local stories can scream on global stages. From his breakout Moshari to hauntingly poetic cinema, it’s a classroom where the future listens.
The Jury that Breathes Stories
This year’s juries—both for features and shorts—are a soulful blend of insight and artistic fire:
Rajshri Deshpande, known for Sacred Games and Sexy Durga
Carla Renata, a.k.a. The Curvy Critic, whose words have shaped Variety, RogerEbert.com, and beyond
And Maureen Bharoocha, whose lens bridges genres and hearts alike.
With names like Priyanka Mattoo, Kausar Mohammed, and Sudeep Sharma in the mix, it’s clear: these are not gatekeepers—they’re gate-openers.
For the Dreamers, the Believers, and the Storytellers
IFFLA 2025 isn’t just a festival. It’s an invitation to the world to sit down, lean in, and feel the pulse of South Asia—loud, luminous, and unapologetically original. From bustling Mumbai sets to quiet Bangladeshi scripts scribbled at midnight, this is where those dreams take their first Hollywood breath.
Passes are now live at indianfilmfestival.org. And for the readers of Kulsoomified: if you’ve ever believed in the poetry of film, this is your call to witness a new chapter in the language of cinema.
Every generation has its revolutionaries. But Dr. Bhimrao Ramji Ambedkar was more than that—he was a visionary who saw beyond his time and left behind blueprints for a just, equal, and educated world. He didn’t just fight for rights; he fought for dignity. He didn’t just write laws; he rewrote the story of India’s future.
In today’s chaotic, divided, fast-changing world, Ambedkar’s teachings feel like a compass—pointing us toward justice, courage, and collective transformation.
Here’s what we can still learn—and how it can change us.
📚 1. Education is the Ultimate Weapon
“Cultivation of mind should be the ultimate aim of human existence.”
Ambedkar’s entire life is proof that education can shatter chains. He rose from oppression to become one of the most educated men of his time, holding multiple degrees from Columbia, LSE, and more. He believed that true freedom begins in the mind.
💡 In today’s world:
In an era where misinformation spreads like wildfire and the education gap still divides rich from poor, Ambedkar’s belief reminds us to invest in knowledge, not just skills. To think critically. To learn—and to teach others.
🧘🏽♂️ 2. Self-Respect is Non-Negotiable
“I measure the progress of a community by the degree of progress which women have achieved.”
Ambedkar didn’t just fight for Dalit rights—he fought for human dignity. He believed no man, woman, or child should bow their head due to birth, caste, or gender.
💡 In today’s world:
Caste-based discrimination may have changed form but it still exists. So do racism, sexism, classism. His philosophy teaches us to stand tall, to claim our self-worth, and to question systems that try to label us lesser. From rural protests to boardroom diversity conversations—his voice still guides us.
🏛️ 3. Question Religion, Fight Injustice
“Religion is for man and not man for religion.”
Ambedkar’s powerful critique of religion wasn’t about denying spirituality—it was about rejecting systems that use it to justify inequality. His conversion to Buddhism was a radical act of choosing peace and equality over dogma and oppression.
💡 In today’s world:
With rising religious intolerance, his wisdom reminds us to separate faith from fanaticism. To choose compassion over ritual. And to create a society where religion heals, not hurts.
📜 4. Build Institutions, Not Just Movements
As the architect of the Indian Constitution, Ambedkar created structures that protected the rights of all citizens. He didn’t just revolt—he rebuilt.
💡 In today’s world:
Activism today needs more than protests—it needs plans, policies, and perseverance. Whether you’re fighting climate change, casteism, or corruption—build things that last. Create change that outlives you. Like he did.
🔥 5. Be Unapologetically Brave
“Life should be great rather than long.”
Ambedkar was never afraid to speak truth to power, even when it cost him approval, position, or peace. He didn’t wait for permission to fight for what was right.
💡 In today’s world:
His spirit lives on in every girl who dares to dream beyond what her village told her, every queer youth demanding visibility, every worker organizing for fair wages. Being Ambedkarite today means being bold, not bitter—and taking the road less safe but more just.
🌍 Final Thoughts: Ambedkar is Not Just History—He’s the Future
If you’re looking for a hero who wore no cape, spoke truth like fire, and dreamed of a world where every human is treated as human—Dr. B.R. Ambedkar is not just a chapter in your textbook. He is a mirror, a map, and a mantra for our times.
To walk in his footsteps doesn’t mean being perfect. It means being awake. Being aware. Being active.
Because the India Ambedkar dreamed of? It’s still being built. And we are the builders now.
As mid-April blossoms into Pohela Boishakh, Baisakhi, and Ambedkar Jayanti, we witness not just seasonal or cultural shifts—but spiritual reminders. These dates mark beginnings, harvests, revolutions of identity, and the dignity of selfhood. What better moment to revisit the deeply personal and profoundly political verses of the Bhakti Movement?
The Bhakti saints spoke in simple tongues, but their words had the weight of mountains. They shattered caste walls, defied societal norms, and chose poetry as their protest and prayer.
These poems weren’t written for scholars. They were written for people like us—soulful, weary, hopeful. And yes, they still speak.
1. Mirabai – The Lover Devotee of Krishna
Picture Source : Wikipedia
Poem: “Mere to Giridhar Gopal, doosro na koi, Jaake sir mor mukut, mero pati soi.”
Meaning: “My only beloved is Giridhar Gopal (Krishna), I belong to none else. The one who wears the peacock feather crown—that alone is my husband.”
Why it resonates today:
Mirabai’s defiance of patriarchal norms mirrors the journeys of modern women choosing self-love over societal pressure, or standing by partners and dreams that the world may not approve of. Her devotion is echoed in every woman choosing authenticity over conformity. In interfaith relationships, LGBTQ+ love, and bold artistic self-expression—Mira still sings.
2. Kabir – The Weaver of Eternal Truths
Picture Source: artofit.org
Poem: “Bura jo dekhan main chala, bura na milya koi, Jo man khoja aapna, mujhse bura na koi.”
Meaning: “I went out to find evil in others, but found none. When I looked within myself, I realized none was worse than me.”
Why it resonates today:
In a digital age full of cancel culture, online outrage, and blaming others for everything—from politics to personal woes—Kabir reminds us to turn inward. This poem is a guide to emotional maturity and self-awareness. It’s a timeless push toward introspection over judgment.
3. Tukaram – The Farmer Mystic
Picture Source: Pinterest
Poem: “Pandharicha mahatva kon jane re, Techi jane jyancha bhaktichya bhare.”
Meaning: “Who truly knows the greatness of Pandharpur? Only those drenched in the flood of devotion.”
Why it resonates today:
Tukaram’s poetry connects deeply with today’s grassroots voices, farmers’ protests, and simple folk whose faith is their survival. His verses still sing in every rural home where belief and struggle live side by side. In a world that often ignores the rural, the underpaid, and the overlooked—Tukaram remains a voice of dignity.
Meaning: “This is the auspicious month of Margazhi, lit with moonlight. Come, let us bathe and celebrate together!”
Why it resonates today:
Andal’s poetry feels like a call to collective feminine joy. In today’s world of sisterhood circles, girlhood revivals, women’s retreats, and sacred feminine movements, her invitation to spiritually bathe together is an ancient version of modern self-care, sisterhood, and divine femininity.
5. Ravidas – The Voice of Equality
Picture Source : Indian Postal Stamp, Wikipedia
Poem: “Begampura sheher ka naam, dukh andohu nahi jisme dham.”
Meaning: “The name of the city is Begampura— A city with no sorrow or suffering.”
Why it resonates today:
This verse is an anthem for every activist, every oppressed voice, and every dreamer of justice. It resonates during Ambedkar Jayanti when India remembers the long fight for equality. Ravidas’s “Begampura” is today’s utopia—where caste, class, and gender don’t define opportunity. It lives in protests, in policy demands, and in people who still believe a better world is possible.
So, Why Now?
Because we are once again in a time where:
Love is politicized.
Faith is divided.
Women are questioning roles.
The marginalized are rising.
And amidst the noise, the soul still longs for truth and tenderness.
These verses are not just relics—they are resonances. They live in:
A girl posting poetry on Instagram about heartbreak and the cosmos.
A Dalit student topping civil services.
A farmer holding onto faith during floods.
Endnote: Bhakti is not Blind
Bhakti is not about superstition or subservience. It is about devotion as power. It is about surrender—not to oppression, but to truth, love, and purpose.
This Pohela Boishakh, Baisakhi, and Ambedkar Jayanti, let us not only light lamps and wear new clothes— Let us light a fire of poetry inside. Let us listen to voices that refused to stay quiet, even centuries ago.
Because maybe, in the quiet of your heart, Mirabai still weeps. Kabir still questions. Ravidas still dreams. Andal still sings. And you, dear reader, still feel.
The primary function of political cartoons is to offer political commentary on current affairs and societal issues. Furthermore, cartoonists frequently view their creations as a weapon against the misuse of authority. They therefore want to discredit and expose the powerful. The outcome is frequently unexpected but not always humorous. In a country that is as culturally and politically diverse as India, cartoons can be a medium to educate the people as due to uneven distribution of resources, not everyone has the same access to information and education as each other.
Cartoonists sketch a unique and powerful story by combining wit, humor, and social commentary in their creations. From magazine pages to television, these masters of the pen use their artistic skills to entertain audiences and spark imaginations. Let’s take a look through the corridors of creativity and explore the works of some of India’s most famous cartoonists.
Father of Political Cartooning in India – Kesava Shankar Pillai (31 July 1902 – 26 December 1989)
Indian cartoonist Kesava Shankar Pillai (31 July 1902 – 26 December 1989), popularly known as Shankar, was born. In India, he is regarded as the founder of political cartooning. In 1948, he started Shankar’s Weekly, the Punch of India.
{Cartoonists Abu Abraham (above) and Kutty (below)}
Cartoonists such Abu Abraham, Ranga, and Kutty were also produced by Shankar’s Weekly; however, the publication was shut down on June 25, 1975, due to an emergency. He then focused on helping kids laugh and have fun with life. In 1976, the Indian government bestowed upon him the second-highest civilian decoration, the Padma Vibhushan.
{The collection of costume dolls in the museum was inspired by a gift of a single doll that Shankar received from the Hungarian Ambassador in the early fifties. (International Doll Museum, Delhi)}
He is best known today for founding Shankar’s International Dolls Museum in 1965 and the Children’s Book Trust, which was founded in 1957.Shankar’s caricatures appeared in The Bombay Chronicle and The Free Press Journal. He was hired as a staff cartoonist by Pothan Joseph, the editor of the Hindustan Times, in 1932, and remained on staff until 1946.
Shankar was able to train in London for almost fourteen months. He studied advanced cartooning methods during that time by attending numerous art schools. He also travelled to Paris, Geneva, Vienna, Berlin, and Rome.
India was in the throes of an independence movement when he returned. Shankar’s aspirations for an independent publication were also supported by the onset of freedom. When Pandit Jawaharlal Nehru published Shankar’s Weekly, which Shankar edited himself, the concept was realised.Shankar was organised and adored children. The Shankar’s International Children’s Competition was founded by Shankar in 1949, and the Shankar’s On-the-Spot Painting Competition for Children was a part of it in 1952. In 1978, he started an annual competition for children’s book writers. This tournament, which started in English, is currently being held in Hindi as well.
‘A Symphony of Dreams’ was an exhibition held at the Lalit Kala Academy in Delhi in 2002 to mark the centennial of his birth. He drew a cartoon of Bhimrao Ambedkar in 1949, and when it was included in NCERT educational materials, it created “furor” in the Indian Parliament. As a result, concerned NCERT staff members resigned in May 2012. People who identified as “Republican Panthers” demonstrated against the cartoon. The Kerala Lalithakala Akademi created the Shankar Memorial National Cartoon Museum and Art Gallery in 2014 as a memorial to the well-known Indian cartoonist in his homeland.
A Not-So-Common Man – R.K. Laxman (1921-2015)
Rasipuram Krishnaswami Iyer Laxman was an Indian humorist, illustrator, and cartoonist who lived from 24 October 1921 to 26 January 2015. The Common Man, which he created, and You Said It, a daily comic strip that he launched in 1951 in The Times of India, are his most well-known works.
{In Photo: R.K. Laxman and R.K. Narayan}
In 1921, a Tamil Hindu Brahmin family welcomed R. K. Laxman into the world in Mysore. Laxman was the youngest of eight children—six sons and two daughters—and his father was a headmaster. The well-known novelist R.K. Narayan was his older brother. “Pied Piper of Delhi” was the moniker given to Laxman’s elder brother.
Early work by R.K. Laxman was published in magazines such as Swarajya and Blitz, as well as newspapers Rohan. also started drawing political cartoons for the Swatantra and local newspapers, and also illustrated stories written by his older brother R. K. Narayan for The Hindu while he was still a student at the Maharaja College of Mysore.
{ SAB TV aired an Indian comedy series called R. K. Laxman Ki Duniya(2011-2013). The famed cartoonist R. K. Laxman’s work served as the inspiration for it. The focus of the show was on the pleasures and sufferings of the average man.}
Additionally, Laxman created cartoons for Koravanji, a Kannada humour magazine started in 1942 by M. Shivaram, a physician with a clinic in Bangalore’s Majestic neighbourhood. When he first established this monthly journal, he focused on cartoons and stories that were lighthearted and satirical. In Kannada, Shivaram was a well-known humorist. He encouraged Laxman.
{The R. K. Laxman Museum is a single-artist museum located in the Balewadi area of Pune, Maharashtra. It was inaugurated in 2022.}
Laxman worked as a summer employee at the Madras Gemini Studios. His first permanent position was as a political cartoonist for The Free Press Journal in Mumbai, where he worked alongside Bal Thackeray. Laxman started working for The Times of India, Mumbai, in 1951, and he stayed there for more than fifty years. In his pocket comics, his “Common Man” persona is presented as a witness to the emergence of democracy.
Not Your Local Cartoonist – Mario Miranda (1926-2011)
Mario Miranda, also called Mario de Miranda, was an Indian painter and cartoonist who was headquartered in Loutolim, in the Indian state of Goa. He was born Mário João Carlos do Rosário de Brito Miranda on May 2, 1926, and passed away on December 11, 2011.
Miranda gained prominence via his writings published in The Illustrated Weekly of India, but he was also a regular contributor to The Times of India and other Mumbai newspapers, such as The Economic Times. In 2012, he received the Padma Vibhushan, India’s second-highest civilian honour, posthumously.
{15th August, 1988 “Mile Sur Mera Tumhara” on Doordarshan- a song that showed India’s diversity and was created on the theme Unity in Diversity}
Miranda appeared in the 1988 “Mile Sur Mera Tumhara” national integration video, which also starred a number of well-known Indian artists, writers, musicians, and athletes. He received the Padma Shri in 1988, the Padma Bhushan in 2002, and a lifetime achievement award from the All India Cartoonists’ Association in Bangalore. On November 11, 2009, Don Miguel Nieto Sandoval, a tourism adviser, gave Mario the highest civilian accolade, the “Cross of the Order of Isabel the Catholic,” bestowed by King Juan Carlos of Spain at his family’s Loutulim residence. On December 29, 2009, he was appointed “Commander of the Order of Prince Henry,” a Portuguese National Order of chivalry, by President of the Republic Aníbal Cavaco Silva.
{Mario’s Mural on the streets of Goa, Maharashtra}
In March 2012, the Goa Legislative Assembly mentioned him in an obituary following his death in 2011. Miranda was honoured with the 2013 naming of a Mumbai Road intersection. On the occasion of his 90th birthday, Google celebrated him with a doodle in May 2016. The doodle depicted a typical rainy-season neighbourhood scene in Mumbai.
{Aaron Renier – an American Comic Artist and Author (famous for his comic “The Unshrinkable Walker Beam”), and the guy who created Google Doodle for Mario Miranda}
— Aaron Renier (he/him/his) (@acornreindeer) May 2, 2016
{2016 Google Doodle by Aaron Renier}
As per Aaron Renier’s Google Doodle, which was made in honour of Miranda on his 90th birthday in 2016, Miranda’s most favoured cartooning style was “very flat with criss-crossing interactions”. Renier continued by explaining: That is what I liked most about his work. Trying to pick out who knows who, who’s watching who, who’s annoyed by who, who’s enamoured by who. (Source: Wikipedia)
No Prime Minister – Sudhir Tailang (1960-2016)
Tailang was born on February 26, 1960, in Bikaner, Rajasthan, and died of cancer in 2016.Tailang’s childhood fascination with comics like Tintin, Phantom and Blondie is said to have inspired him to pursue cartooning.
In 1970, at the age of ten, he got his first cartoon published in a newspaper.Tailang began his career in 1982 with the Illustrated Weekly of India, Mumbai, after creating his first cartoon in 1970. He began working in Delhi for the Navbharat Times in 1983. He worked for the Hindustan Times for a number of years, taking brief breaks to also work for the Indian Express and The Times of India. The Asian Age was his most recent assignment.
He received the Padma Shri in Literature and Education in 2004. Several politicians were the targets of his caricatures as a cartoonist, including Manmohan Singh, Rajiv Gandhi, Atal Behari Vajpayee, P V Narasimha Rao, Indira Gandhi, and Narendra Modi. His cartoons on Manmohan Singh during his first term as prime minister were included in the book “No, Prime Minister,” which he released in 2009.
Political Cartooning to Politics – Balasaheb Thackeray (23 January 1926 – 17 November 2012)
The famously known Bal Keshav Thackeray, also referred to as Balasaheb Thackeray, well as the creator of the Shiv Sena political organisation. However, he was a multi-talented man, and one of them was cartooning. He began his professional career with The Free Press Journal, but he soon left to start ‘Marmik’, a political weekly of his own. His drawings supported his protests against Mumbai’s growing non-Marathi population. Alert on his end, he rendered every detail with detailed drawings.
On June 19, 1966, Thackeray founded the Shiv Sena as a result of Marmik’s success. Aside from that, his writings mirrored and emphasised the growth in poverty, price increases, and even pressing problems like riots and the subsequent expansion of the nation’s armaments trade. The master of cartooning departed from this life in 2012.
Conclusion
As we draw the curtains on this exploration of India’s rich culture of Political cartooning in India, it becomes evident that their legacy extends far beyond the strokes of their pens. By reflecting the many dimensions of Indian society through their artistic expression, these artists have not only amused but also educated audiences and sparked thought-provoking conversations. As we honour their accomplishments, let’s not forget that a single cartoon’s ability to spark debate and motivate action is evidence of the lasting value of this distinctive form of visual expression. The ink may run in the dynamic field of Indian cartooning, but the influence of these forward-thinking artists will last for many years.
Note: Please note that the images used in this article are from across the web and this blog does not hold the copyright to these images.
Let us know if such articles are of your interests. This Blog is forever open to suggestions, views, and discussions.
Save the date for an extraordinary two-night event! The 69th Hyundai Filmfare Awards 2024, in partnership with Gujarat Tourism, promises an unprecedented cinematic celebration on January 27th and 28th.
Set in GIFT City, Gandhinagar, Gujarat, the awards night on January 28th guarantees a star-studded affair, hosted by Karan Johar, Ayushmann Khurrana, and Maniesh Paul. The event will feature captivating performances by Ranbir Kapoor, Varun Dhawan, Kareena Kapoor Khan, Janhvi Kapoor, Sara Ali Khan, and Kartik Aaryan. Festivities commence on January 27th at the Mahatma Mandir Convention & Exhibition Centre with a Curtain Raiser, including technical award honors, a fashion show by Shantanu & Nikhil, and a music concert by Parthiv Gohil.
Unveiled at a Mumbai press conference, key details were presented by notable figures like Shri. Hareet Shukla, Mr. Rohit Gopakumar, and Mr. Jitesh Pillaai. Chief Minister Shri. Bhupendrabhai Patel expressed anticipation for the event, emphasizing its positive impact on tourism and the local economy. Minister Mulubhai Bera highlighted Gujarat’s commitment to becoming a cinematic tourism hub, offering diverse locations for film shoots.
Rohit Gopakumar, expressing excitement, acknowledged 2023 as a blockbuster year for Hindi Cinema and emphasized the unique destination of Gujarat for the awards. Hyundai Motor India’s COO, Mr. Tarun Garg, affirmed their pride in being the title partner, linking cinema to Hyundai’s global vision of ‘Progress for Humanity.’ Editor Jitesh Pillaai stated that the 69th edition promises to be an unparalleled spectacle, celebrating a year filled with cinematic marvels.
At the press conference, Karan Johar expressed gratitude, stating the emotional connection he holds with Filmfare. Varun Dhawan emphasized the transformative role of Filmfare Awards in Indian cinema, anticipating a full house in Gujarat. Janhvi Kapoor shared her excitement, grateful to be part of this milestone celebration, reflecting on her earliest memories with Filmfare.
Here is the complete nomination list for the 69th Hyundai Filmfare awards 2024 with Gujarat Tourism –
Popular
Best film
12th fail
Animal
Jawan
Omg 2
Pathaan
Rocky aur rani kii prem kahaani
Best director
Amit rai (omg 2)
Atleee (jawan)
Karan johar (rocky aur rani kii prem kahaani)
Sandeep reddy vanga (animal)
Siddharth anand (pathaan)
Vidhu vinod chopra (12th fail)
Best film critics’
12th fail (vidhu vinod chopra)
Bheed (anubhav sinha)
Faraaz (hansal mehta)
Joram (devashish makhija)
Sam bahadur (meghna gulzar)
Three of us (avinash arun dhaware)
Zwigato (nandita das)
Best actor in a leading role (male)
Ranbir kapoor (animal)
Ranveer singh (rocky aur rani kii prem kahaani)
Shah rukh khan (dunki)
Shah rukh khan (jawan)
Sunny deol (gadar 2)
Vicky kaushal (sam bahadur)
Best actor critics
Abhishek bachchan (ghoomer)
Jaideep ahlawat (three of us)
Manoj bajpayee (joram)
Pankaj tripathi (omg 2)
Rajkummar rao (bheed)
Vicky kaushal (sam bahadur)
Vikrant massey (12th fail)
Best actor in a leading role (female)
Alia bhatt (rocky aur rani kii prem kahaani)
Bhumi pednekar (thank you for coming)
Deepika padukone (pathaan)
Kiara advani (satyaprem ki katha)
Rani mukerji (mrs. Chatterjee v/s norway)
Taapsee pannu (dunki)
Best actress critics
Deepti naval (goldfish)
Fatima sana shaikh (dhak dhak)
Rani mukerji (mrs. Chatterjee v/s norway)
Saiyami kher (ghoomer)
Shahana goswami (zwigato)
Shefali shah (three of us)
Best actor in a supporting role (male)
Aditya rawal (faraaz)
Anil kapoor (animal)
Bobby deol (animal)
Emraan hashmi (tiger 3)
Tota roy chowdhury (rocky aur rani kii prem kahaani)
Vicky kaushal (dunki)
Best actor in a supporting role (female)
Jaya bachchan (rocky aur rani kii prem kahaani)
Ratna pathak shah (dhak dhak)
Shabana azmi (ghoomer)
Shabana azmi (rocky aur rani kii prem kahaani)
Triptii dimri (animal)
Yami gautam (omg 2)
Best lyrics
Amitabh bhattacharya (tere vaaste- zara hatke zara bachke)
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